By Grant Allen
An very good addition to Penguin's crime classics: the tantalizing story of Colonel Clay, literature's first gentleman rogue.
Wealthy, convinced and good-looking, Sir Charles Van waft spends his time jetting to unique locales together with his spouse and in-laws. yet on one fateful journey to the Riviera, Van waft meets his fit in Colonel Clay. Posing alternately as a seer, a curate, and a German professor, the grasp of cover swindles Van waft via 3 continents and poses a major hazard to his South African diamond fortune. Colonel Clay, the infamous con artist and thief, has triumphed. yet who's this grasp of hide, really? First serialized in The Strand in 1896, the adventures that comprise An African Millionaire are generally considered as the 1st to add a felony protagonist and may be greeted enthusiastically through enthusiasts and students of vintage crime fiction.
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Extra info for An African Millionaire (Penguin Classics)
But she cannot have both. Kate has failed the tests that Densher has devised for her, and apparently she now finds herself back where she started: having to choose between love and money. But will Densher be able to carry out his grand gesture? Will he be able to resist Kate舗s stronger will and her greater capacity for life? Densher is the quintessential loser thrust into circumstances he does not fully understand. James still has sympathy for Densher even if this troubled soul舗s spiritual transformation falls short.
The idea, reduced to its essence, is that of a young person conscious of a great capacity for life, but early stricken and doomed, condemned to die under short respite, while also enamoured of the world; aware moreover of the condemnation and passionately desiring to 舡put in舡 before extinction as many of the finer vibrations as possible, and so achieve, however briefly and brokenly, the sense of having lived. 1 The image so figured would be, at best, but half the matter; the rest would be all the picture of the struggle involved, the adventure brought about, the gain recorded or the loss incurred, the precious experience somehow compassed.
Densher is the quintessential loser thrust into circumstances he does not fully understand. James still has sympathy for Densher even if this troubled soul舗s spiritual transformation falls short. Densher, in his moral confusions and hesitations, is truer to life and more credible without the full moral awakening. Though polarities of good and evil are often implied in the novel, James endows his characters with a mixture of motives and with nuanced qualities that prevent us from making easy moral judgments.