Download Caroline Munro, First Lady of Fantasy: A Complete Annotated by Robert Michael Bobb Cotter PDF

By Robert Michael Bobb Cotter

This filmography (including tv and song video appearances) chronicles the occupation of Caroline Munro, a girl of humble beginnings whose likelihood access in a "Face of the Year" photograph pageant propelled her to overseas repute as a version and actress, and whose paintings in style cinema has received her the well-earned name of "First girl of Fantasy." It offers whole technical and solid credit for every movie, a synopsis, stories and notes, and a foreword through Caroline Munro.

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Extra info for Caroline Munro, First Lady of Fantasy: A Complete Annotated Record of Film and Television Appearances

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A newly initiated vampire, he had been unable to return to a grave before the sun rose. Van Helsing rescues Jessica from Dracula’s clutches, and kills the monster when he flings a phial of Holy Water in his face. Triumphant in this last battle between the forces of good and evil, he covers the ground over the decaying, shriveled remains, putting to rest the corrupt powers of Dracula. REVIEW AND NOTES Castle of Frankenstein No. 19 reviewed the movie, opining, Though excitement and suspense aren’t spared, some fans of the genre may have trouble from flinching at a number of enormous liberties taken to provide this latest vehicle for Count Dracula.

Though he’s a murderer, his devotion to Victoria is real and touching, and when he’s not busy carrying out his revenge, he is paying homage to the image of Victoria (Caroline in various poses and outfits of authentic 1920s vintage) with unforgettable, eloquent soliloquies: “My love ... sweet queen and noble wife ... I alone remain; to bring delivery of your pain ... severed my darling, too quickly from this life of fires drawn and of memories met ... ” There’s also his most impassioned, “Where can we find two better hemispheres, without sharp North, without declining West; my face in thine eye, thine in mine appears, and true plain hearts in these faces do rest....

It reminds me of the scene in Blazing Saddles where Cleavon Little is sitting on his horse with his arms folded; cut to twenty bad guys getting their guns shot out of their hands, then cut back to Little still sitting with his arms folded. In this film’s version, Kronos is accosted by three pug-uglies in a bar. He draws his sword; cut to the three villains slashed to ribbons almost simultaneously; then cut back to Kronos sheathing the sword. One of the more memorable bits of dialogue involves a traditional (and most horrible) British entrée known as “Toad in the Hole” (a dish consisting of sausages in Yorkshire pudding batter, generally served with vegetables and onion gravy).

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