By Peter Davison
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Extra info for Contemporary Drama and the Popular Dramatic Tradition in England
He also interjected 'asides' to the audience, almost (but never quite) insulting, in the manner practised by Bruce Forsyth. Thank you very much ladies an' gentlemen, thank you very much. So off we go, with the first song, a little song entitled, 'Last night I was in the mood, tonight I must get some sleep' (L). He then sang 'Passing the Time A way', about young couples in the park. At a performance at Fins bury Park Empire, Max Miller introduced the song as, 'We've had a lot of fun, no harm done, and thanks for the memory'.
Now lissen (L)(L)(L). One of the best of Max Miller's acts that depends for its effect upon the audience's imagination is Max as a swimming instructor. I used to be a swimming instructor myself at Brighton. I used to take the girls out to teach them to swim- if they couldn't swim I didn't go out with them-I'dno time to waste (L). ' So I said 'Go on, I'll stand and watch you' (L). So I stood on me stilts and she did the breast stroke. Then she said, 'Now I think I'll turn over' (L). And she turned over, may the sand get in my eyes ifl tell a lie 42 Contemporary Drama and the Popular Tradition (L), as she turned over, I slipped my hand underneath to hold her up- otherwise she'd go down (L).
Urn, aren't you going to give her a nose? No? No nose. I think it's so interesting, the way they see things, don't you? Sydney, stop blowing at Edgar and get something to do. Yes, I know I said you could choose what you are going to do but you cannot choose to blow at Edgar. Well, because I don't think it's a good idea. Well, because I- I'm not going to discuss it with you Sydney, now go over there and join Susan at her sand table. Yes there is room, Sue, there's heaps of room, just move up- Susan, we never bite our friends.