By Derek Jarman
Publish yr note: First released in 1984
From his sexual awakening in postwar England to lifestyles within the sixties and past, Derek Jarman tells his existence tale with the in-your-face immediacy that turned his trademark type in either his motion pictures and writing.
Accompanied via approximately 100 images of Jarman, his neighbors, enthusiasts, and inspirations, the candid bills in Dancing Ledge offer intimate and exceedingly bright glimpses into this iconoclastic filmmaker's existence and occasions.
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Extra info for Dancing Ledge
I have seen only a handful of historical films that have worked and all these have reinvented period. This film made no attempt to do that. So, a few points: 1. Design the film so you don't need a set dresser. Props and furniture look disastrous enough but nothing is more awful than the artfully dressed street. The hay waggon standing in a vacuum, or the business one knows can't run. The baker's built into the corner of a church or blacksmith's with a calor gas fire. 2. I noticed bananas in one of those still lives of fruit which are used in nearly every historical film to denote plenty and fill up a blank space.
ARTISTS STEAL THE WORLD IN ORDER TO R E - P R E S E N T IT AS ART One of the chief topics of conversation with Suso yesterday was the idea of art as a form of theft, artists being involved in the theft of the everyday creativity which the entire world should share. Theft in the story of Apollo's lyre — and also murder . . 21 A P R I L 1964. ROME Ron and I spent the morning hunting through the market at Porta Portese and I bought two candlesticks in gilded wood. These I had to carry with me for the rest of the day (which we spent sightseeing) much to the amusement of passers-by.
There was a sudden uncomfortable silence, while everyone assessed the situation. Then we were bundled into the vans. Expelled from Delphi, we've set up camp on the ancient acropolis above Amfissa. David is in hospital with concussion and a lot of stitches. It turns out that, quite innocently, we spent the night in the grove of Apollo, bathed in the water of the Sacred Well, and cooked our breakfast on an altar stone. At Sounion, where we went to view the sunset, we crept round the barbed wire that ended at the cliff face, and spent the night in the temple to watch the dawn alone, before slipping away.