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By Charles Dickens

'Like such a lot of fond mom and dad i've got in my middle of hearts a favorite child,' wrote Charles Dickens. 'And his identify is David Copperfield.'

Of all of Dickens's novels, David Copperfield such a lot heavily displays the occasions of his personal existence. the tale of an deserted waif who discovers lifestyles and love in an detached international, this vintage story of youth is populated with a solid of eccentrics, innocents, and villains who quantity one of the author's maximum creations.

'David Copperfield is full of characters of the main miraculous style, vividness, and originality,' famous Somerset Maugham. 'They aren't practical and but they abound with lifestyles. There by no means have been such humans because the Micawbers, Pegotty and Barkis, Traddles, Betsey Trotwood and Mr. Dick, Uriah Heep and his mom. they're marvelous innovations of Dickens's exultant mind's eye, yet they've got a lot vigour, they're so constant, they're awarded with lots conviction, that you just think in them. they're extravagant, yet no longer unreal, and when you've got as soon as to understand them you could by no means relatively put out of your mind them.' T. S. Eliot agreed: 'Dickens excelled in personality; within the production of characters of larger depth than human beings.' And Virginia Woolf concluded: 'In David Copperfield, although characters swarm and existence flows into each creek and cranny, a few universal feelings--youth, gaiety, hope--envelops the tumult, brings the scattered elements jointly, and invests the main ideal of the entire Dickens novels with an environment of beauty.'

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Example text

Via her scenographic method, Wharton has painstakingly developed a narrative in which Starkfield and its surrounding landscape, and her central and minor characters, the domestic space of their homes, their individual histories, and their family histories are all intertwined. For example, Mrs. Ned Hale舗s wan refinement is 舠not out of keeping舡 (a term derived from landscape aesthetics and house design) with her 舠pale old-fashioned house舡 (p. 11). An even more striking example is offered by the Frome farmhouse, clearly part of the scenery but hardly described in such a way to suggest quaintness or refined taste.

The narrator has literally brought the reader to the threshold of Frome舗s private world. This narrative threshold, marked by an ellipsis, signals the transition from one crucial piece of the story to another, a rather imprecise line that separates Frome舗s outer and inner worlds. What occupies the space between the opening and closing frames is the narrator舗s imaginative vision, his attempt to offer a way out of his temporary disorientation and a way to picture the essential elements of the tragic story.

From Ethan Frome, page 99) 舠I舗m so bewildered by this new development舒by his using you all this time as a pretext舒that I really don舗t know where to turn for light on the mystery舒舡 (from 舠The Pretext,舡 page 130) Š Across the level tracery of the gardens, it sent her, from open windows and hospitably smoking chimneys, the look of some warm human presence, of a mind slowly ripened on a sunny wall of experience. 舡 (from 舠Afterward,舡 page 167) Š Mrs. Ballinger is one of the ladies who pursue Culture in bands, as though it were dangerous to meet alone.

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