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By Filmmuseum Berlin--Deutsche Kinemathek, Eva Wesemann

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Extra info for Film Museum Berlin: The Exhibition

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I n a futuristic city called Metropolis, workers live in the subterranean city and the rulers above earth i n the light. In t h i s upper city, skyscrapers tower against the sky, connected by roads and ramps , with ai rplanes c i rc l i ng between them . The rulers' sons amuse themselves with games and sports in the " E ternal Gardens" with young girls ready to entertai n them . One day, one of the sons, Feeder Fredersen, gets lost in the sub- 37 Metropolis terranean city where the workers scrape a bare living on enor­ mous machines in ten-hour shifts.

I t was because of this message that the SS and police chief, Reiths­ kommissar Heinrich H i m m ler, ordered on September 3 0 , 1 9 4 0 " rhar rhe enrire SS a n d police ( . . ) see rhe fi l m 'J ud SUss " ' . T h e British version of the fi l m , JEW suss, m a d e some years earl ier with Conrad Vei d t in the lead role , had wanred ro warn of rhe dangers of anri -Sem i t i s m and had - as also Lion Feucht­ wanger i n h i s novel - a humanistic message. Harlan's versi o n , on r h e o r h e r hand , w a s a counrer p ro j e c t aimed ar defamation .

S o m e s tayed longer and seized whatever opportu­ n i ties arose. rcript has survived . MAN (1932). Dieterle was so successful in Hollywood, first as an actor and later as a director, that he could repay the huge debts which had made leaving Germany so easy for him. He remained in the USA during the Second World War, although it was now as an exile, and only rerurned to Germany at the end of the 1940s. It's hard to imagine that someone like Luis Trenker might have made his way to America. An actor, director and produ­ cer specializing in regionally-flavored Heimat and mountain films, he arrived in New York in 1932.

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