By Roger Ebert
America’s such a lot relied on and best-known movie critic Roger Ebert offers 100 impressive essays on the superior videos ever made.
For the previous 5 years Roger Ebert, the famed movie author and critic, has been writing biweekly essays for a characteristic referred to as "The nice Movies," during which he deals a clean and fervent appreciation of an excellent movie. The nice Movies collects 100 of those essays, every one of them a gem of serious appreciation and an amalgam of affection, research, and background that would ship readers again to that movie with a clean set of eyes and renewed enthusiasm–or probably to an avid first-time viewing. Ebert’s choices diversity commonly throughout genres, sessions, and nationalities, and from the top achievements in movie paintings to justly cherished and wildly profitable well known entertainments. Roger Ebert manages in those essays to mix a really populist appreciation for our most crucial type of renowned paintings with a scholar’s erudition and intensity of data and a certain aesthetic experience. splendidly more suitable through stills chosen via Mary Corliss, movie curator on the Museum of contemporary paintings, The nice video clips is a treasure trove for movie fans of all persuasions, an unmatched consultant for audience, and a publication to come back to back and again.
The nice Movies comprises: All approximately Eve • Bonnie and Clyde • Casablanca • Citizen Kane • The Godfather • Jaws • los angeles Dolce Vita • city • at the Waterfront • Psycho • The 7th Seal • candy scent of good fortune • Taxi motive force • The 3rd guy • The Wizard of Oz • and eighty-five extra films.
From the Hardcover edition.
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Extra resources for The Great Movies
Mankiewicz helped create her screen persona when he wrote this exchange after the Monroe character sees Margo’s fur coat: “Now there’s something a girl could make sacrifices for,” Monroe says. “And probably has,” says the director. “Sable,” Monroe explains. ” asks the producer. ” If Monroe steals her own scenes, the party sequence contains Davis’s best work in the movie, beginning with her famous line, “Fasten your seat belts. ” She looks at Bill, her fiancé, and bitterly tells Lloyd, “Bill’s thirty-two.
Now it is time to move on to the next step, to know that we live not on a planet, but among the stars, and that we are not flesh, but intelligence. [ Th e 4 0 0 B l o w s ] I demand that a film express either the joy of making cinema or the agony of making cinema. I am not at all interested in anything in between. TRUFFAU T François Truffaut’s The 400 Blows (1959) is one of the most intensely touching stories ever made about a young adolescent. Inspired by Truffaut’s own early life, it shows a young, resourceful boy growing up in Paris and apparently dashing headlong into a life of crime.
He wants to be the boss’s assistant, she wants to be the boss’s wife, and both of them are so blinded by the concept of “boss” that they can’t see Mr. Sheldrake for an untrustworthy rat. The movie has been photographed in wide-screen black and white. The b&w dampens down any jollity that might sweep in with the decorations at the Christmas parties, bars, and restaurants where the holidays are in full swing. And the wide screen emphasizes space that separates the characters or surrounds them with emptiness.